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American Scenic and Historic Preservation Society










American Scenic and Historic Preservation Society
By Rucha Desai

The present moment results from a series of past decisions. History is thus crucial to understanding the evolution of the present. The American Scenic and Historic Preservation Society grew from this sentiment, one that was prevalent at the turn of the twentieth century. The Society, incorporated in 1895, comprised individuals whose main focus was the preservation of history through the protection of its physical public objects whose significance lay in a historical moment.Through these physical vestiges of the past, the American Scenic and Historic Preservation Society sought to establish a value for history that would transcend the physical and resonate with the public. Writer of New York history Max Page wrote about the Society’s vision for transforming urban landscape, as members imagined and (partially) realized an urban landscape studded with emblems of collective memory—a memory infrastructure of preserved buildings, naturalistic parks, new monuments, and other public art—as part of the modern city, along with the transit systems, tall buildings, and a geographical reach that was truly metropolitan. [i]
In preserving historic objects, the organization sought to create a collective memory, which would stimulate public conscience and enhance citizenry.

The Society comprised trustees, officers, and general members who also served on the various committees. J. Pierpont Morgan, because of his sponsorship and influence, was the Honorary President. historyMembers participated in many overlapping organizations, including the Palisades Interstate Park Commission, whose aim was to protect the Palisades and the Hudson River from destruction, and the Hudson Fulton Celebration Commission, which commemorated historical events and achievements. Support of these multiple organizations and endeavors by members like Edward Hagaman Hall and George F. Kunz, suggests the overlap and connection among them. Committees involved in the Society’s mission included a Sites and Inscriptions Committee, a Stony Point Reservation Committee, a Philipse Manor Hall Committee, and a Tappan Hall Monument Committee.

Other organizations and agencies shared in its mission, including Daughters of the American Revolution (DAR), Sons of the American Revolution, the Parks Departments of all the boroughs, and the Architectural League of New York. [ii]

In 1911, DAR donated the Memorial Arch for the entrance of Stony Point Battlefield State Reservation; additionally, in that year they contributed a cannon and a pyramid of to be placed on the west side of the arch. Stony Point was significant to the Preservation Commission because it is one of the only public parks with access to the Hudson River; most land by the River’s bank was publicly owned.

The American Scenic and Historic Preservation Society, a reform movement of the Progressive Era and a product of urbanization, believed in the ideas of environmental determinism, the idea that “the character of the physical environment—its beauty, cleanliness, historical associations—directly shaped individual and social behavior.” [iii] The aims of the Society were threefold: preservation, creation, and education. Preservation involved the protection of natural landscapes from physical deterioration or aesthetic pollution, like “the erection of unsightly signs and structures.”3 The Society sought to conserve geological formations and foliage with great scientific value. [iv] In addition to parks and natural spaces, the Society intended to preserve historic buildings and monuments. One of its members lamented the destruction of history as “old landmarks are obliterated; historical monuments destroyed; buildings of national importance sold for second hand building material.” [v]

A major point of contention among members of the Society was the preservation of parks versus the preservation of buildings. Advocates for the protection of parks saw buildings as a threat to natural development. However, those supporting additional preservation of historic buildings and monuments catered to the education goal of the Society’s mission. Edward Hagaman Hall, the president of the Society and secretary of the Hudson Fulton Celebration Commission, believed that a building was more than just an “inert mass of masonry” and that the “destruction of this link connecting the present with a bygone generation will be a source of deep regret” for those who “impart to a lifeless object something of the life that has been associated with it in passing years.” [vi] Public objects, parks or buildings created a sense of permanence; they established evidence of a constantly vanishing past. Andrew H. Green, founder of the American Scenic and Historic Preservation Society commented on these historic memories slipping away. He said:

Within the limits of our own city, in the dramas of the past, have been enacted tragedies that are inspirations to lofty undertakings, the memories of which are fast fading from the mind and of which no visible memorials have yet been established. Such landmarks are too rapidly yielding to the obliterations of the time, and to preserve them is a sacred duty, akin to that of teaching the children of our public schools, or maintaining libraries for the education of our people [vii]

This need to preserve the past is significant in that many held on to specific historical moments as socially and economically ideal. Preservationists sought to maintain historic buildings to elicit memories of past achievements; Conservationists sought to maintain the natural landscape to recall a sense of tradition and American virtue, as per the rugged frontier. The Hudson Fulton Celebration was influenced by both of these impulses, and looked back to previous centuries in order to educate immigrants and children about American values.

The beginning of the twentieth century saw a wave of immigration. The Society aimed to preserve its historic spaces not only to reinforce American values, but also to teach them to immigrants. Buildings and monuments could relay history to the illiterate and to immigrants not fluent in English. Through the preservation of history, the Society aimed to foster “interest in and respect for the history of the country, its honored namesand visible memorials.”  Chancellor H. M. MacCracken of New York University commended the Society for its mission to educate, claiming, “scenic and historic objects teach patriotism and nourish moral sentiments, while they care also in some measure for the aesthetic nature.” [viii] Awareness of history and solidifying the present were thought to improve American citizenry, as all would participate in collective memory.

The education goal was also achieved by publishing free journals and holding free lectures in order to disseminate information about the Society, and historical spaces around the State and their significance. New York sculptor and active ASHPS member Henry Kirke Bush-Brown claimed, “no matter how well a story can be told in words, there yet remains something unexpressed, which form and color alone can portray.” [ix] With this sense of importance attributed to tactile and visual experiences of learning, the Society worked to enhance public knowledge of the various existing public spaces and the ones they sought to create. The Society aimed to educate all about historic precedents and values, for its members held the belief that “history was the currency that would buy a healthy future for the city: homogenous social relations and a respectful and responsible citizenry.” [x]

In addition to preservation and education, the Society aimed to create new public works, in efforts to imprint the contemporary moment into an historical past, into memory. New public monuments and buildings essentially serve as record of the present. History is not simply a finite event, but is rather continuously developing, a series of episodes that is transformed by contemporary perspectives of the past. ASHPS did not function as a rejection of contemporary society, but rather, as complementary to modern social developments. The Society thus invested in creating new parks for recreation and to foster good health. It maintained newly developed public spaces, like Central Park, Battery Park, and City Hall Park. [xi] historyIt sponsored the erection of suitable historical memorials and bestowed appropriate names upon new thoroughfares, bridges, parks, reservoirs and buildings. ASHPS worked not only to create lasting civic memory from the present, but also to create perspective of the past. Preservation of historic buildings and parks was to enhance American ideals and community, not to recall the pejorative moments in American history. Thus, members of the Society advocated the destruction of the Tweed Courthouse, which was strongly tied to corruption, and the post office, which was associated with corrupt politicians. [xii]

The Society was successful in many of its endeavors since its incorporation by the New York State Legislature in 1895. Its charter explicitly laid out the Society’s purposes and functions, including the acquisition and control of memorable and picturesque places throughout the State, in order to improve them and make them more accessible to the public. It succeeded in enacting these foresaid goals through the time of the Hudson Fulton Celebration. Its achievements include the rehabilitation of Stony Point Battlefield, in Stony Point. Furthermore, in 1900,members of the Society joined with people from New Jersey to create the Palisades Park Commission, which secured the creation of the present Palisades Interstate Park. [xiii]

The preservation of City Hall and its park in the 1890s was a major issue on the Society’s agenda. It was a site of New York’s power and identity. It was host to protests against the British government during the American Revolution, to prisons of martyred patriots, and the public reading of the Declaration of Independence, during which George Washington was present. [xiv] City Hall was also renowned as a work of architecture. By 1893, the city proposed transferring City Hall from City Hall Park to Bryant Park. Green zealously fought with the city to maintain the park’s location. However, by the end of the nineteenth century there was increased competition for public space, and City Hall faced destruction especially because of its central location.

Preservationists emphasized the importance of location and argued for the physical precision of the site; new developments could only be added to City Hall Park if they did not compromise the historic meaning of the building and park. Proponents of the City Beautiful movement, which advocated the use of historic markers for decorative rather than useful purposes, opted for the demolition of larger structures to create more space for newer necessities. City Beautiful supporters also worked for the convergence of urban beautification with city planning, essential in preventing social chaos; they successfully had the Martyr’s Prison demolished in order to expand the subway stations by the Brooklyn Bridge. A stone plaque marked the previous site of the Prison.

The Society aimed to protect the many landscapes' natural beauty from deteriorating; the Preservation movement thus interconnects with the American Conservation movement. This movement essentially sought the protection of the nation’s physical elements. In its seventeenth annual report, ASHPS acknowledged the similarities between the two ideologies. It reported:

The American Scenic and Historic Preservation Society, as such, is not primarily concerned with the conservation of material resources although it recognizes and sympathizes with such conservation. Its primary object…is the preservation of natural scenery and historical landmarks. But landmark conservation and the conservation of natural resources are frequently so intimately connected that they cannot be dissociated. [xv]

When forest fires ravaged the Adirondacks in the early twentieth century, ASHPS joined various other organizations and people, many of which were proponents of the Conservation movement like Gifford Pinchot, to prevent destruction by fire. In its sixteenth annual report, the Society reported anumber of preventive measures to which it would give its full support, including:

…as many fire lookout stations as necessary; the establishment of additional intermediate stations for supplies and fire extinguishing paraphernalia; the organization of a reserve fire-fighting force; an increase of the number of patrolmen or rangers, to be permanently employed, under civil service regulations, with graduated pay… [xvi]

In addition to the Adirondacks, the Society worked to protect the Palisades. Companies that held territory in the Palisades were blasting sections of the rock off to use for pavement, and the entire rocky horizon began to shorten. The Interstate Palisades Park Commission raised money to purchase the land from the companies. J.P. Morgan contributed $125,000 to fund this preservation project. [xvii] The Commission worked not only to protect the park for its historical significance, but also to make it useful and accessible to the public. Driveways were created connecting the base of all the cliffs, so that people could enter the park from all points. This restoration was linked to the Hudson Fulton Celebration of 1909; trustees and other leaders of the plan constantly referred to the importance of the Hudson River as not only a source of industrial and maritime power, but also as a mark of great historic prestige and significance. The River alluded to memories of Hudson’s discovery, of Fulton’s invention, of American progress and growth. Reverend Howard C. Robbins attributed American advancement to the divine, and said:

We bless Thee for the records of creation, graven in these ancient Palisades…We bless Thee for commerce and industry, for science, literature and government, and for all the arts of the peace. In particular, we adore Thy mercy for the invention of which this river was the witness. We thank Thee that Thou didst put into the heart of Thy servant Robert Fulton the great device whereby the ends of the earth are brought together, and the brotherhood of nations is made manifest, and the coming of Thy kingdom is advanced. [xviii]

Robbins touched upon many themes of the Hudson Fulton Celebration. Since Hudson’s discovery, New York, and the rest of the country, greatly advanced economically and politically. The country became a democratic sovereign, it began trading internationally, and its domestic industries, like the steel industry, flourished. One goal of the Celebration is to commemorate the country’s progress, for it became “a civilization that rivals any part of the world [xix] ” in the three hundred years following Fulton’s discovery.

Furthermore, the notion that God provided Fulton with the means to cross the Hudson, and thus the means to progress, alludes to Manifest Destiny, the idea that America was destined to expand westward. However, as the Hudson Fulton Celebration honored achievements and history of New York, Robbins describes a destiny specific to the state. He attributed New York’s achievement to a Divine will, and thus suggested a purpose in New York’s progress.

Robbins claimed that the entire world not only benefited but was also brought together by Fulton’s steamboat. The Celebration also worked to incorporate the diversity of nationalities of New York, and thus acknowledged different nations of the world in its events, especially the naval parade, which showcased domestic and foreign naval ships. With improved water transport, oceans separating countries were conquered; people transcended physical boundaries to develop new national identities.

historyGovernor Charles E. Hughes of New York held the importance of the river lay not only in its commercial development, but also in “the memories of our heroes of war and peace…this beautiful valley is forever invested with the charm of the story of the vicissitudes of early settlements, of the struggle by which liberty was won, and of the marvelously expanding life of a free people.” [xx] The Hudson River bestowed significance to its surroundings.

Dr. George F. Kunz, a trustee of the Hudson Fulton Celebration and president of American Scenic and Historic Preservation Society, acknowledged economic efficiency as a way of historical preservation; reducing the amount of waste would aid in the river’s health. He suggested the spirit of Henry Hudson in the protection of these important rivers and parks, for if he were to “sail up the river at night, casting anchor off Spuyten Duyvil, the early morning light would reveal to his the same outlook to the westward, the same Palisades, upon which his eye rested when he first sailed up the great river.” In complementing modernity with history, Dr. Kunz then emphasized the juxtaposition of the constantly evolving city with the permanent Palisades.

If Henry Hudson directed his gaze to the southeast, he would see the greatest city of a great continent, a city destined to be the greatest city in the world, a city whose growth is so rapid that twenty years from now the population will be almost as dense opposite where we are standing as it is below that point. [xxi]

The dedication of the Palisades Park, integrated into the two-week long Hudson-Fulton Celebration of 1909, corresponded to the Preservation movement, as modernity and change were presented simultaneously with history and tradition. The Celebration commemorated past achievement and future progress. The Hudson-Fulton Celebration echoed ideals of preservation, as it sought to educate illiterate people, immigrants, and children, in order to instill national values, and to reinforce them by preserving public spaces, like parks, monuments, and buildings.


Endnotes


[i] Max Page, The Creative Destruction of Manhattan, 1900-1940 (Chicago: University of Chicago Press, 1999), 158.

[ii] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 135

[iii] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 140

[iv]American Scenic and Historic Preservation Society, American Scenic and Historic Preservation Society Incorporated 1895, American Historic Preservation Society, 1902.

[v] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 139

[vi] Max Page, The Creative Destruction of Manhattan, 1900-1940 (Chicago: Chicago University Press, 1999), 111

[vii] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 131

[viii] American Scenic and Historic Preservation Society, American Scenic and Historic Preservation Society Incorporated 1895, American Historic Preservation Society, 1902.

[ix] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 141

[x] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 127

[xi] Max Page, The Creative Destruction of New York, 1900-1940 (Chicago: University of Chicago Press, 1999), 133

[xii] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 155

[xiii] American Scenic and Historic Preservation Society, Annual Report of the American Scenic and Historic Preservation Society, American Scenic and Historic Preservation Society (Albany: Argus Company Printers, 1912)

[xiv] Randall Mason and Max Page, Giving Preservation a History (New York: Routledge, 2004), 152.

[xv] American Scenic and Historic Preservation Society, Annual Report of the American Scenic and Historic Preservation Society, American Scenic and Historic Preservation Society (Albany: Argus Company Printers, 1912)

[xvi] American Scenic and Historic Preservation Society, Annual Report of the American Scenic and Historic Preservation Society, American Scenic and Historic Preservation Society (Albany: Argus Company Printers, 1912)

[xvii] Fourth Annual Report of the Hudson Fulton Celebration Commission, Hudson Fulton Celebration 1909, Edward Hagman Hall, compiler (Albany: J.B. Lyon Company, 1910).

[xviii] American Scenic and Historic Preservation Society, Annual Report of the American Scenic and Historic Preservation Society, American Scenic and Historic Preservation Society (Albany: Argus Company Printers, 1912)

[xix] Fourth Annual Report of the Hudson Fulton Celebration Commission, Hudson Fulton Celebration 1909, Edward Hagman Hall, compiler (Albany: J.B. Lyon Company, 1910)

[xx] Fourth Annual Report of the Hudson Fulton Celebration Commission, Hudson Fulton Celebration 1909, Edward Hagman Hall, compiler (Albany: J.B. Lyon Company, 1910)

[xxi] Fourth Annual Report of the Hudson Fulton Celebration Commission, Hudson Fulton Celebration 1909, Edward Hagman Hall, compiler (Albany: J.B. Lyon Com

pany, 1910).


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