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| Art & Architecture Collection, Miriam and Ira D. Wallach division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations |
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Rose Hill, Fall 2009
Every semester the department offers a number of sections of the Music History Introduction course (MU 1100) and the Opera: An Introduction course (MU 1101), both of which satisfy the fine arts core requirement. Check My.fordham.edu for days and times.
Upper level courses are listed below.
| Course Number |
Title |
Professor |
Core Requirement |
Days |
Time |
Credits |
 |
| MUSC 2031 |
Rock and Pop Music Since WWII |
Gelbart |
|
TF |
10:00-11:15 |
4
|
| MUSC 2048 |
Worlds of Music |
Yaraman |
Globalism |
W |
11:30-2:00 |
4
|
| MUSC 2120 |
Introduction to Musicianship |
Ott |
|
TF |
11:30-12:45 |
3
|
| MUSC 2121 |
Ear-Training, Sight-Singing |
Ott |
|
TF |
1:00-2:15 |
3
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Course Descriptions
MUSC 2031-Rock and Pop Music Since WWII
Rock and pop music have played key roles in Western culture for over half a century. This course considers the roots and musical features of rock and related styles, their changing status within “mainstream” culture and the musical and ethical issues they raise. From the R&B music of the early 1950s to the British Invasion, punk, disco, rap, alternative and the spread of electronica, pop musicians have moved billions of people, while raising questions about race, gender, generation gaps, commercialism, and globalization.
MUSC 2048-Worlds of Music
This course will take an approach based on the premise that to study music is to study people, community, history, religion, politics and dance, as well as to study musical styles, forms and instruments. This approach provides the student with an appreciation of the sound, power and meaning of music, as it exists within culture.
MUSC 2120-Introduction to Musicianship
Elementary musicianship for students wishing to learn how to read and write music. Organizations of basic musical materials, intervals, rhythms, modes and scales. Melodic analysis. For students with no prior knowledge of musical notation. (Others see MU *U 2145.) Corequisite(s): MU*U 2121
MUSC 2121-Ear-Training, Sight-Singing
This course provides students with the opportunity to improve their skills in hearing and reading music.
Lincoln Center, Fall 2009
Every semester, the department offers a number of sections of the Music History Introduction course (MU 1100) and the Opera: An Introduction course (MU 1101), both of which satisfy the fine arts core requirement. Check My.fordham.edu for days and times. Courses are listed below.
| Course Number |
Title |
Professor |
Core Requirements |
Days |
Time |
Credits |
 |
| MUSC 1210 |
Music for Dancers |
Yaraman |
|
TR |
8:30-9:45 |
3
|
| MUSC 2146 |
Musicianship II: Diatonic Harmony |
Ott |
|
MW |
11:30-12:45 |
4
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| MUSC 3123 |
19th Century Romanticism in Music |
Stempel |
|
T |
2:30-5:00 |
4
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Course Descriptions
MUSC 1210-Music for Dancers
This two-course sequence develops general knowledge of the major historical periods, styles and genres of western music, as well as familiarity with world music. It also provides critical tools to understand the basic components of music: melody, harmony, rhythm, texture, tempo, dynamics, and instrumentation. To cultivate musicality, class taught, in part, through practical application: singing and rhythm exercises, elementary score reading etc. Open to B.F.A. students only.
MUSC 2146-Musicianship II: Diatonic Harmony
This course is a continuation of Musicianship I and studies the basic principles of tonal harmony: chord construction, progressions, and modulation. It focuses on the style of 18th century composers such as Handel or Mozart, but will draw upon contemporary styles as well. Written assignments and analyses.
MUSC 3123-19th Century Romanticism in Music
Most of our current behaviors and beliefs with respect to Western music were first shaped in the cultural discourse of the 19th century. This course examines these as part of the interactions of 19th-century music with the major social, political, intellectual and cultural movements of the age, focusing on the work of Beethoven, Rossini, Berlioz, Wagner, Verdi, Brahms and Mussorgsky.
Future Course Offerings
Spring 2010, Rose Hill - Tentative:
Issues & Controversies in Rock & Pop Music (Gelbart); Broadway Musicals (Stempel); Musicianship I: Counterpoint (Ott); Music Before 1600 (Boyce); Music in Modern Times: 20th Century (Stempel); Music & Ethical Life (Boyce); Keyboard & Piano Lab (Staff)
Spring, 2010, Lincoln Center - Tentative:
Music for Dancers-Yaraman; Musicianship II-Ott
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