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Kimberly J. Devlin, “Attempting to Teach Finnegans Wake: Reading Strategies and Interpretive 
      Arguments for Newcomers”

Philip Kitcher, “Collideorscape: Finnegans Wake in the Large and in the Small”

Vike Plock, “'Knock, knock. War’s where?’: History, Macbeth, and Finnegans Wake”

Roy Benjamin, “The Second Gospel in Finnegans Wake”

Aingeal Clare, “'Pseudo-stylistic Shamiana’: James Joyce and James Clarence Mangan”

Margot Norris, “The Stakes of Stephen’s Gambit in ‘Scylla and Charybdis’”

Ariela Freedman, “The Metamorphosis of Ulysses”

Cynthia Hornbeck, “Greekly Imperfect: The Homeric Origins of ‘Nausciaa’”

Erika Mihalycsa, “Translating the Gap: The Hungarian an Romanian ‘fillings-in’ of Bloom’s 
      ‘I AM A’ in ‘Nausicaa’”

Jennifer Burns Levin, “'Ruby pride of the ring on the floor naked’: Fetishizing the Circus Girl
       in Joyce’s Ulysses"

Jay Gertzman, “Not Quite Honest: Samuel Roth’s ‘Unauthorized’ Ulysses and the 1927 
      International Protest"

Frank Kerins, “The Deification of Corely in ‘Two Gallants’: Reinventing the Neurotic Self”

Melissa Free, “’Who is G.C.?’: Misprizing Gabriel Conroy in Joyce’s ‘The Dead’”