Fordham University            The Jesuit University of New York
 


 

Monday, August 4

 


 

Monday, August 4  8:30 a.m. - 10:00 a.m.

 

 

Women Writers and the Historical Imagination

 

Chair: Jo Smith, Manchester Metropolitan University

josmithandco@yahoo.co.uk

 

1.  Colin Harris, Boston University

colinabharris@yahoo.com

“The Place of the Page: Dramatic Discontinuity in Joanna Baillie's The Homicide

 

2.  Thomas Mclean, University of Iowa

thomas-mclean@uiowa.edu

“From Poland to Scotland: Jane Porter and the Historical Novel”

 

3.  Deirdre Gilbert, University of Denver

michael-gilbert@msn.com

“Cloistered Virtue: Masquerade in Joanna Baillie's Count Basil

 

4.   Scott Hallam, Duquesne University

hallam40@stargate.duq.edu

“Relocating History: Ann Yearsley's Construction of a Pacifistic Vision”

 

 

Romanticism and Science

 

Chair: Timothy Fulford


1. Timothy Fulford, Nottingham Trent University

timothy.fulford@ntu.ac.uk

Introduction: “From the Fossils to the Clones”

 

2. Anne Janowitz, Queen Mary and Westfield College, University of London

a.f.janowitz@qmul.ac.uk

“Adam Smith, Astronomy, and the Sublime”

 

3. Marilyn Gaull, New York University

mg49@nyu.edu

“From the Prototypes to  Stereotypes, from Fossils to Clones”

 

 

Placing Keats

 

Chair: Joshua David Gonsalves, Dalhousie University

gonsalvj@dal.ca

 

1.  Virginia Hromulak, Fordham University

hromulv@ncc.edu / vhromulak@aol.com

“The Romantic Fragment: or the Genesis of Modern Epic”

 

2.   Emily Rohrbach, Boston University

rohrbach@bu.edu

“Keats: The Space of the Present”

 

3.  Mark John Raymond, New York University

mqr4101@nyu.edu

“Between Pleasure’s Temple and the Temple of Delight: Keats and the Place of ‘Sleep and Poetry’ in the ‘Ode on Melancholy’”

 

4. Mark Bruhn, Regis University

mbruhn@regis.edu

"Place Deixis and the Pragmatics of Imagined Space"

 

 

Transatlantic Conversations II

 

1. Kathryn Ready, Georgia Tech

kate_ready@hotmail.com / kathryn.ready@lcc.gatech.edu

"Dissenting Sociability and the Anglo-American Context: The Correspondence of William Ellery Channing and Lucy Aikin"

 

2. Jessie Beall Dubreuil, University of Virginia

jbd4f@virginia.edu

“The Task of Poetry: Imagining Theory and Creating Criticism in Coleridge and Poe”

 

3. Ashley Shannon, University of Texas

ashannon@mail.utexas.edu

"'At the Border of Nationhood: Lydia Maria Child and the Romantic Novel"

 

 

Surveying India: Colonialism and Identity

 

Chair: Lisa Nevarez, Siena College

lnevarez@siena.edu

 

1. Frances Botkin, Towson University

fbotkin@towson.edu

"Idolatry and Imperialism: Issues of Identity in Lady Morgan's 'The Missionary'"

 

2. Elizabeth Mjelde, De Anza College

Elizabeth_mjelde@yahoo.com

" 'The Only Life She Likes': Off-Road Sketching in British India"

 

3. Jeffrey Cass, Texas A&M International University

jcass@tamiu.edu

"Philip Meadows Taybr and 'Confessions of a Thing': Thugee Theatricality and the Horror of the Oriental Other"

 

 

Placing Godwin's Fiction: Caleb Williams and Beyond

 

Chair: Robert Anderson

 

1. Ranita Chaterjee, California State University, Northridge

Rc54653@csun.edu

“Filial Ties: Mary Shelley and the Composition of Godwin’s Deloraine

 

2. Rob Anderson, Oakland University

r2anders@oakland.edu

“Godwin’s Machines: Fleetwood, Mechanical Subjectivity and the Rejection of Sociability”

 

3. Arnold Markley, Penn State University, Delaware County

aam2@mail.de.psu.edu

"Homosocial Desire and the Destructiveness of Masculinity in Godwin's Fleetwood, Mandeville, and Cloudsley"

 

4. Elaine Ayers, Creighton University

eayers@creighton.edu

"'Repeating a half-told and mangled tale': Reading Caleb Williams Through Emily Melvile"

 


 

Monday, August 4  10:15 a.m. – 12:00 p.m.

 

 

The Drama and Theatre of Joanna Baillie

 

Chair: Catherine Burroughs, Wells College

cb64@cornell.edu


1. Kathryn Pratt, Auburn University

kathrynjanepratt@hotmail.com

"Joanna Baillie's Dramatic Rhetoric and the Theater of History"


2. Marjean Purinton, Texas Tech University

mpurinto@ttacs.ttu.edu

"Placing and Performing Female Sexuality in Joanna Baillie's Comedies"

 

3. Regina Hewitt, University of South Florida

hewittrdr@earthlink.net

"Humanity-Mongers and Sympathy Brokers: Placing Joanna Baillie in the History of ‘Reformance'"

 

 

The Origins and Ends of Empire

 

Chair: Ian Balfour

 

1. Zak Sitter, Brown University

exitr@yahoo.com

“The Orthography of Empire”

 

2. Esther Wohlgemut, Georgetown University

esw6@georgetown.com

“The Idea of a Universal History in Southey’s Colloquies and Shelley’s The Last Man

 

3. Ian Balfour, York University

ibalfour@yorku.ca

“Theory and History in Volney's Allegory of Empire”

 

 

Placing Jane Austen

 

1. Beth Lau, California State University, Long Beach

Blau@csulb.edu

“Placing Jane Austen in the Romantic Period: Self and Solitude in the Works of Austen and the Male Romantic Poets”

 

2.   Courtney Wennerstrom, Indiana University

cwenners@indiana.edu

“Marriages and Carriages: Staging the Borders of Gender Performativity in Jane Austen's Emma

 

3.   Patricia Comitini, Quinnipiac University

Patricia.comitini@quinnipiac.edu

“The Novel's Excessive Possibilities and Austen's Northanger Abbey

 

4.   Sonjeong Cho, Texas A&M University

sjcho@tamu.edu

“‘Faultless in Spite of All Her Faults’: Emma, an Imaginist, a Heroine Whom No One but Jane Austen Likes”

 

 

The Borders of Poetry: Romantic Poetry and the Matter of Fact

 

Chair: Seamus Perry

 

1. Seamus Perry, Balliol College, Oxford University

seamus.perry@balliol.ox.ac.uk

"Romantic Poetry and the Matter of Fact"

 

2. Matthew Scott, Hertford College, Oxford University, and visiting scholar at Brown University 2002-3

thomas.scott@hertford.ox.ac.uk

Title TBA

 

3. Mina Gorji, Wadham College, Oxford University

mina.gorji@lady-margaret-hall.oxford.ac.uk

"Romanticism and the Familiar Detail: Clare, Particularity and the Dynamics of Intimacy"

 

4. Jason Beardsley, State University of New York, Stony Brook

jbeardsl@ic.sunysb.edu

"To Fix or Fixate Upon: Knowledge and Desire in Wordsworth's 'The Thorn'"

 

 

Placing Walter Scott

 

1. Andrew Piper, Columbia University

akp10@columbia.edu

" 'My tongue is mine ain': Books and Borders in Walter Scott's Minstrelsy of the Scottish Border"

 

2. Michael Wells, University of British Columbia

mwells@look.ca

"Romantic Home Theater: Orality and Nationhood in Walter Scott's The Antiquary"

 

3. Ann Marie Ross, California State University, Dominguez Hills

annrossphd@hotmail.com

"Scott's 'History of Europe' : Revolution and History in Old Mortality"

 

 

On the Verge: Bordering Philosophy II

 

Chair: David L. Clark, McMaster University

dclark@mcmaster.ca

 

1.  Joan Steigerwald, York University

steiger@yorku.ca

“At the Boundary of Reason: The Place of the Abject Object in German Idealism”

 

2.  Nicholas Halmi, University of Washington

nh2@u.washington.edu

“Romanticism, Mythology, and the Work of Reason”

 

3.  Alexander Glage, Duke University

glage@yahoo.com

“Going from One Thought to Another: The Writing of Logic in Kant, Coleridge, and Hegel”

 

4. Mark Algee-Hewitt, New York University

mah310@nyu.edu

"On the Borders of Transcendence: The Liminality of Trauma in the Philosophical Sublime"

 


 

Monday, August 4  12:15 p.m. - 1:15 p.m.

Lunch

 


 
Monday, August 4   1:30 p.m. - 3:00 p.m.

 

 

Sites of Recreation

 

Chair: Julie Carlson

 

1. Luisa Cale, University College, Oxford University

luisa.cale@university-college.oxford.ac.uk

"Exhibitions as Sites of Cultural Production:  The British Institute and the National Gallery"

 

2. Thomas Crochunis, Brown University

Crochunis@brown.edu

"Pedestrianism as Performance in Late-Eighteenth and Early-Nineteenth Century Britain"

 

3. Daniel O'Quinn, University of Guelph

doquinn@uoguelph.ca

"Recreational Alterity:  Imperial War and the Art of Juggling"

 

4. Julie Carlson, University of California, Santa Barbara

jcarlson@english.ucsb.edu

"In the Black:  Race, Profit, Theater"

 

 

Touring Romanticism

 

Chair: Nicola Trott, University of Glasgow

n.trott@englit.arts.gla.ac.uk

 

1.  Peter Manning, State University of New York, Stony Brook 

pmanning@notes.cc.sunysb.edu

"Home Thoughts From Abroad: Wordsworth's 'Musings Near Aquapendente"

 

2. Nancy Moore Goslee, University of Tennessee

ngoslee@utk.edu

“Shifting Borders: Shelleyan Ekphrasis in England and Italy”

 

3. Rebecca Potter, University of Dayton

Rebecca.potter@notes.udayton.edu

"'Among the untrodden ways': William and Dorothy Wordsworth in Goslar"

 

 

Placing Psychoanalysis in Nineteenth-Century Studies

 

Panel sponsored by the Literary Studies Program, Fordham University.


Chair: Joel Faflak

1. Patrick O’Malley, Georgetown University 

pro@georgetown.edu

"Back to the Future in Loudon's The Mummy!"

 

2. Eva Badowska, Fordham University

badowska@fordham.edu

"The Bourgeois Interior: Charlotte Bronte and the City of Things"

 

3. Joel Faflak,Wilfrid Laurier University

jfaflak@wlu.ca

"Romanticism and the Pornography of Talking"

 

 

Urban Locations

 

1.  Judith Thompson, Dalhousie University

jthompso@is.dal.ca

“From Forum to Repository: the Beaufort Buildings as Textual and Cultural Space”

 

2.  Nikki Hessell, University of Toronto

nikki.hessell@utoronto.ca

“STC: A Bridge Between Fleet Street and Westminster”

 

3.  Eric Eisner, Harvard University

eeisner@fas.harvard.edu

“A poet’s house who keeps the keys of pleasure’s temple”: Sleep and Poetry and the Scenes of Authorship”

 

 

Placing the Periodical Review

 

1. Kim Wheatley, College of William and Mary

kewhea@mail.wm.edu

“The Arctic in the Quarterly Review”

 

2. Juan Sanchez, University of Notre Dame

Jsanche1@nd.edu

“A New Age in Periodical Writing: Blackwood's and the Formulation of a New Cultural Consciousness”

 

3. Jacqueline Belanger, Cardiff University

belangerj@cardiff.ac.uk

“Flim-flamming: Parody, Reviewing, and the Romantic-Era Novel”

 

 

Scottish Romanticism   

 

1.  Susan Oliver, University of Cambridge

susan.oliver1@ntlworld.com

“Antiquarianism and Borders in Scott’s Minstrely”

 

2.  Charles Snodgrass, Xavier University

charles-s@xu.edu

“'Let Glasgow Flourish': John Galt's Colonizing Career”

 

3.  Julia Kipp, Hope College

kipp@hope.edu

“Communal Politics and the Bardic Nation: Ireland, Scotland, and Romanticism”

 


 

Monday, August 4  3:15 p.m. - 4:45 p.m.

 

 

Placing Music in Romantic Studies I

 

Chair: Lawrence Kramer

 

1.  Janet Schmalfeldt, Tufts University 

jschmalf@emerald.tufts.edu

"Music that Turns Inward"

 

2.  Marshall Brown, University of Washington

mbrown@u.washington.edu

"Haydn's Whimsy: Pastoral Ideology in the Piano Trio no. 21 in C"

 

3. Lawrence Kramer, Fordham University

lkramer@fordham.edu

Saving the Ordinary: Beethoven's 'Ghost' Trio and the Wheel of History"

 

 

Romanticism, Race and Gender

 

Chair: Anne K. Mellor

1. Catherine Addison, University of Zululand

caddison@pan.uzulu.ac.za

"Gender and Race in Byron's ‘The Island’ and Mitford's ‘Christina’"

 

2. Nicole Reynolds, Ohio University

reynolds@ohio.edu

"Empires of the Heart"


3. Anne K. Mellor, University of California, Los Angeles

mellor@humnet.ucla.edu

"Liberating Female Desire: Elizabeth Hamilton's ‘Memoirs of a Hindoo Rajah’”

 

 

Wordsworth, Holderlin, and the Redemptive

 

1.  Wolfgang R. Mann, Columbia University

wrm4@columbia.edu

“Wordsworth/Holderlin”

 

2.  Susan Nurmis-Schomers, University of Tubingen

snurmi@gmx.de

“‘A River Runs Through It’: Topologies of Poetic Recollection in William Wordsworth and Friedrich Holderlin”

 

3.  Richard Eldridge, Swarthmore College

reldrid1@swarthmore.edu

“Holderlin’s Poetology as a Response to Philosophical Problems”

 

 

Placing Coleridge

 

1. Maximiliaan van Woudenberg, Acadia University

maximiliaan@sympatico.ca

“The Circulating Libraries at Gottingen During Coleridge's Second University Career in 1799” (cp)

 

2. Mark Barr, Vanderbilt University

mark.l.barr@vanderbilt.edu

“The New Forms of Justice: Coleridge's Invocation of Legal Communities in the Biographia Literaria

 

3. Felicity James, Christ Church, Oxford University

felicity.james@christ-church.oxford.ac.uk

“Coleridge, Lamb, and the ‘Faery Bowers’: Communal Strategies of Reading, Revision and Response Explored”

 

 

Revisioning Romanticism and Romantic Revision

 

Panel sponsored by the English Department, Rutgers University.

 

Chair: William Galperin, Rutgers University

whg1@ix.netcom.com

 

1. Scott Campbell, State University of New York, Stony Brook

sccampbell@notes.cc.sunysb.edu

"Scars, Not Healing: Godwin's Response to Scott"

 

2. Sharon McGrady, Rutgers University

SAMcgrady@aol.com

"Revising the Deity: Wordsworth and the 'Spots of Time'"

 

3. Richard Squibbs, Rutgers University
squibbs77@hotmail.com

"Cowper, Clare and the Georgic"

 

Respondent: Michael Gamer, University of Pennsylvania

mgamer@dept.english.upenn.edu

 

 

Receiving Byron

 

Chair: James Snowden, University of Washington

jsnowden@u.washington.edu

 

1. Ghislaine McDayter, Bucknell University

mcdayter@bucknell.edu

" 'Not in Nature to Resist': Byron, Femininity, and Fans"

 

2. Jared Richman, University of Pennsylvania

richman@english.upenn.edu

"A Pilgrimage of Exile: Frances Calderon de la Barca and the Ruins of Romanticism"

 

3. Nicholas Mason, Brigham Young University 

nick_mason@byu.edu

"Byron, Blacking, and the Romantic Origins of the Ad-Man/ Author"

 


 

Monday, August 4   5:00 p.m. - 6:15 p.m.  

Greeting: Catharine Stimpson, Dean, New York University.

Plenary Lecture: Marilyn Butler, Rector, Exeter College, Oxford University.

 


 

Monday, August 4  6:30 p.m.

Conference Cruise and Gala Banquet.

 


 

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