Tuesday, August 5
Tuesday, August 5 9:00 a.m. - 10:30 a.m.
The Place of China in Romantic Period Writing, 1790-1842
Chair: Peter Kitson
1. Peter J. Kitson, University of Dundee
p.j.kitson@dundee.ac.uk
“Representing China: Coleridge, the Macartney Embassy and 'Kubla Khan'”
2. Joanne Tong, University of California, Los Angeles
jctong@ucla.edu
"Taking a Trip into China: Jane Austen and the Macartney Mission”
3. Debbie Lee, Washington State University
deblee@mail.wsu.edu
“Representing Java”
Romantic Places: Coleridge
Chair: Peter Manning, State University of New York, Stony Brook
pmanning@notes.cc.sunysb.edu
1. Michael Raiger, Boston College
raiger@mail1.bc.edu
"France: An Ode"
2. Lee Erickson, Marshall University
Erickson@marshall.edu
“Trees in Strange Places: Figures of Friendship in Coleridge's Somerset Poems”
3. Heidi Thomson, Victoria University of Wellington
Heidi.Thomson@vuw.ac.nz
“Coleridge and Elsewhere”
Wordsworth in America II
Chair: Joel Pace, University of Wisconsin, Eau Claire
pacejf@uwec.edu
1. Karen Karbiener, Colby College
kkarbien@colby.edu
“Wordsworth and the ‘American Lakers’”
2. Lance Newman, California State University, San Marcos
lnewman@csusm.edu
“Wordsworth in Massachusetts: Country-Seat Federalism and the Politics of Nature”
3. Richard Brantley, University of Florida
Brantley@english.ufl.edu
“The Wordworthian Cast of Dickinson's Romantic Heritage”
Placing Wordsworth
1. Myra Lotto, University of Pennsylvania
mlotto@english.upenn.edu
“Revision, Landscape and Wordsworth’s Solitary Plain”
2. David Duff, University of Aberdeen, Kings College
d.a.s.duff@abdn.ac.uk
“Wordsworth and the Language of Forms: Poems of 1815”
3. Priscilla Gilman, Vassar College
prgilman@vassar.edu
"Wordsworth, Lucy and Reception"
4. W. Thomas Pepper, SUNY Stony Brook
wtompepper@aol.com
“Wordsworth: Later Poetry and the Limits of Ideology”
Commodity Culture
Chair: Kimberly L. Jacobs, University of Cincinnati, Clermont College
jacobsk@email.uc.edu / kimjacobs@mac.com
1. Karen Fang, University of Houston
kfang@uh.edu
“Books of Beauty: Culture and Capitalism of the Giftbooks and Annuals”
2. Tom Mole, University of Glasgow
t.mole@englit.arts.gla.ac.uk
“Romantic Celebrity”
3. John Strachan, University of Sunderland
john.strachan@sunderland.ac.uk
"Bears' Grease andMacassar: Satirical Encounters with Hair Oil"
Performing Women and Romantic Theatre
1. Brett Wilson, University of Pennsylvania
bdwilson@dept.english.upenn.edu
“Vindicating Calista: Jacobin Feminism and the She-Tragedy”
2. Terry Robinson, University of Colorado
terry.robinson@colorado.edu
“‘Could men but see what female sense can do’: Gender Performance, Theatrical Perspective, and Sites of Recognition in Hannah Cowley's A Bold Stroke for a Husband”
3. Ellen Bannister, Boston University
ebannister2000@yahoo.com
“The Shrine of Sacrifice: Felicidal Nationalism in The Siege of Valencia and Prince Friedrich of Homburg”
Tuesday, August 5 10:45 a.m. - 12:30 p.m.
Rethinking the 1790s: Politics, Form, and Feeling in a Revolutionary Decade
Chairs: Saree Makdisi and Kevin Gilmartin
1. John Mee, University College, Oxford University
jon.mee@english.oxford.ac.uk
"'The Press and Danger of the Crowd': Godwin, Thelwall, and the Problem of Popular Enthusiasm"
2. James Epstein, Vanderbilt University
epsteinj@ctrvax.vanderbilt.edu
"Jacobin Performance: Playing at Revolution"
3. Saree Makdisi, University of Chicago
makdisi@midway.uchicago.edu
"The Politics of 'Artlessness' in 1790s Radicalism"
4. Kevin Gilmartin, California Institute of Technology
kmg@hss.caltech.edu
"Imagining Sociability in Counter-Revolutionary Print Culture"
Recognizing the Romantic Novel: New Approaches to British Fiction II
Chairs: Jill Heydt-Stevenson, University of Colorado, and Charlotte Sussman, University of Colorado
jill.heydt@colorado.edu / sussman@ucsub.colorado.edu
1. Elizabeth Dolan, Lehigh University
bdk3@lehigh.edu
"From Chronic Complaint to Social Critique: Ethnographic Fiction of the 1790s"
2. Charlotte Sussman, University of Colorado
sussman@ucsub.colorado.edu
"The Novel in an Age of Mass Migration: Scott's Guy Mannering"
3. Suzie A. Park, University of California, Berkeley
ashapark@yahoo.com
"This Disclosure Which is Not One: Recognizing Depth, Resisting Commissioned' Interiors in The Wanderer"
Placing Music in Romantic Studies II
1. Julian Johnson, Oxford University
julian.Johnson@music.oxford.ac.uk
“Musical Thresholds and Utopian Spaces: Music as Metaphysics in Early and Late Romanticism”
2. Sarah Hibberd, University of London
s.hibberd@rhul.ac.uk
“‘Charged with the Burden of Ineffable Expression?’ Music in Melodrama”
3. Maiko Kawabata, State University of New York, Stony Brook
mkawabata@notes.cc.sunysb.edu
"Berlioz's Harold in Italy, a Transgressive Musical Travelogue"
Romantic Visualism
1. David Rogner, Concordia University
rognerdw@curf.edu
“The Geography of the Canvas: Coleridge's Pursuit of Painted Space”
3. Christopher Rovee, Stanford University
ckr@stanford.edu
“Framing the Victorian Wordsworth”
4. Ian Maloney, City University of New York
imaloney@stfranciscollege.edu
“Melville's Ekphrastic Quarrel with Romanticism”
Keats and the Contemporary
Chair: Laura Quinney
1. Caroline Bertoneche, University of Paris III - Sorbonne Nouvelle
carolineberto@aol.com
"John Keats, Joseph Severn and the Fanny Brawne Episode"
2. Laura Quinney, Brandeis University
quinney@imap.faculty.brandeis.edu
"'Dark Passages' Contemporary Poetry and the Impasse of Tintern Abbey"
3. Joshua David Gonsalves, Dalhousie University
gonsalvj@dal.ca
"Dis-placing Keats/Re-placing Hitchcock (Rape) in The Eve of St. Agnes"
4. Lilach Lachman, Tel-Aviv University
llachman@post.tau.ac.il
"Tele-vision and Subjectivity in Keats' ‘Odes’"
Travel Narratives II
1. Supritha Rajan, University of North Carolina, Chapel Hill
rajan@email.unc.edu
“Mary Shelley’s Rambles in Germany and Italy”
2. M. Soledad Caballero, Allegheny College
scaballe@allegheny.edu
“ ‘Gentlemen both at sea and on shore’: Maria Dundas Graham’s English Example”
3. Benjamin Colbert, University of Wolverhampton
B.Colbert@wlv.ac.uk
"Close thy Eustace and Open thy Byron?: Tourism and the Place of Modernity in Shelley's 'Lines Written Among the Euganean Hills'"
Tuesday, August 5 12:45 p.m. - 1:45 p.m.
Lunch
Tuesday, August 5 2:00 p.m. - 3:30 p.m.
Farewell Discussion
Return to Conference Program
Return to 2003 NASSR Home
|
