Design and Production
The Design and Production track offers focused concentrations in Set Design, Costume Design, Lighting Design, Projection Design, Sound Design and Stage Management. Our diverse community of Faculty and Students, representing a broad scope of identity and experience, work to tell stories as a way of speaking to our unique moment of historic challenge and change. We reevaluate the theatrical event, learning and growing through an experiential, hands-on curriculum, with an emphasis on curiosity, risk-taking and collaboration across all artistic disciplines. The first two years of the program provide the foundations of theater-making, with an emphasis on conceptual thinking and visual story-telling. Contemporary and classic texts are analyzed and interrogated. Historical perspectives are always contextualized and rigorously reexamined. Focused upper-level courses hone the skills of all Management and Design disciplines.
Design and Production students have numerous opportunities to work with peer and professional collaborators. In our student-produced studio shows, and our professionally directed and designed mainstage productions, we develop the collaboration skills that will become the framework for an evolving creative practice.
Graduating students in the Design and Production track represent their efforts in the annual Design and Production Showcase and Showcase Website, sharing their work and experiences with professional directors, designers, managers and producers.
Our faculty are working theater-makers who offer a wide range of experience, inspiration and opportunity.
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The Design and Production track encourages students to understand and critically examine the component elements of a theatrical production, and thoroughly explore the processes through which those elements are brought to the stage. Design and Production students work to develop foundational core “Practices”:
- Collaboration: The commitment to work with others and willingly exchange ideas and practices through open communication.
- Risk: Expressing enthusiasm for exiting a comfort zone, in an effort to explore the unknown, with a willingness to fail.
- Engagement: The full immersion in the work and willingness to dive into wider artistic questions, promote spaces of active conversation, and utilize artisanship as citizenship.
- Accountability: The responsibility to hold ourselves to our community values in order to create a positive, caring, and conscientious artistic and academic environment.
- Adaptation: The ability to respond and change to the current circumstances of the program, the university, and the world at large.
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First Year- Fall
First Year- Spring
Course Name
Credits
Course Name
Credits
THEA 2080: Collaboration I
4
THEA 2090: Collaboration II
4
3
3
THEO 1000: Faith/Critical Reason (EP1**)
3
3
THEA 2260: Conceptual Foundations
4
THEA 3920: History of Theatre Design (Global Studies)
4
THEA 1160: Design Fundamentals
4
THEA 2035: Drafting for the Theatre
4
Total Credits:
18
Total Credits:
18
Second Year- Fall
Second Year- Spring
Course Name
Credits
Course Name
Credits
3
3
3
3
THEA 3011: Text Analysis
4
THEA 3205: From Page to Stage
4
3
THEA 2815: Stage Management I
4
3
3
Total Credits:
16
Total Credits:
17
Third Year- Fall
Third Year- Spring
Course Name
Credits
Course Name
Credits
THEA 2811: Theatre Management
4
3
3
THEA 3005: Global Theatre History– Evolutions of the Present (EP3)
4
3
THEA 2815: Stage Management II
4
4
4
3
3
Total Credits:
17
Total Credits:
18
Fourth Year- Fall
Fourth Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4430: Senior Showcase I
2
THEA 4440: Senior Showcase II
2
Theatre Elective
3 or 4
4
4
Design & Production Elective
3
Open Slot***
4
Open Slot***
Open Slot***
Total Credits:
9 or 10
Total Credits:
13
Credits Required (124)
Total: 126 or 127
Courses Required (36)
Total: 37
The sample program is a suggestion based on the path of current and previous students. Students will meet with their student advisors to formulate a plan that works for them
*Students may have the choice to opt out of Composition I if they feel comfortable with the subject matter
** The EP1 (Eloquentia Perfecta 1) Attribute can be obtained through many courses. Please consult with your student advisor
***Students may have availability in their schedules to take extra classes outside of the graduation requirement
-
First Year- Fall
First Year- Spring
Course Name
Credits
Course Name
Credits
THEA 2080: Collaboration I
4
THEA 2090: Collaboration II
4
3
3
THEO 1000: Faith/Critical Reason (EP1**)
3
3
THEA 2260: Conceptual Foundations
4
THEA 3920: History of Theatre Design (Global Studies)
4
THEA 1160: Design Fundamentals
4
THEA 2035: Drafting for the Theatre
4
Total Credits:
18
Total Credits:
18
Second Year- Fall
Second Year- Spring
Course Name
Credits
Course Name
Credits
3
3
3
3
THEA 3011: Text Analysis
4
THEA 3985: Set Design I
3
THEA 2045: Introduction to Directing
4
3
3
3
Total Credits:
17
Total Credits:
15
Third Year- Fall
Third Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4505: Design Production Workshop
3
3
3
THEA 3005: Global Theatre History– Evolutions of the Present (EP3)
4
3
THEA 3987: Set Design II
3
4
4
3
3
Total Credits:
16
Total Credits:
17
Fourth Year- Fall
Fourth Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4430: Senior Showcase I
2
THEA 4440: Senior Showcase II
2
Theatre Elective
3 or 4
4
4
Design & Production Elective
3
Open Slot***
4
Open Slot***
Open Slot***
Total Credits:
10
Total Credits:
13
Credits Required (124)
Total: 124
Courses Required (36)
Total: 37
The sample program is a suggestion based on the path of current and previous students. Students will meet with their student advisors to formulate a plan that works for them
*Students may have the choice to opt out of Composition I if they feel comfortable with the subject matter
** The EP1 (Eloquentia Perfecta 1) Attribute can be obtained through many courses. Please consult with your student advisor
***Students may have availability in their schedules to take extra classes outside of the graduation requirements
-
First Year- Fall
First Year- Spring
Course Name
Credits
Course Name
Credits
THEA 2080: Collaboration I
4
THEA 2090: Collaboration II
4
3
3
THEO 1000: Faith/Critical Reason (EP1**)
3
3
THEA 2260: Conceptual Foundations
4
THEA 3920: History of Theatre Design (Global Studies)
4
THEA 1160: Design Fundamentals
4
THEA 2035: Drafting for the Theatre
4
Total Credits:
18
Total Credits:
18
Second Year- Fall
Second Year- Spring
Course Name
Credits
Course Name
Credits
3
3
3
3
THEA 3362: Lighting Design I
3
3
THEA 3011: Text Analysis
4
3
THEA 2045: Introduction to Directing
4
3
Total Credits:
17
Total Credits:
15
Third Year- Fall
Third Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4505: Design Production Workshop
3
3
3
THEA 3005: Global Theatre History– Evolutions of the Present (EP3)
4
3
4
4
3
THEA 3374: Lighting Design II
3
3
Total Credits:
16
Total Credits:
17
Fourth Year- Fall
Fourth Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4430: Senior Showcase I
2
THEA 4440: Senior Showcase II
2
Theatre Elective
3 or 4
4
4
Design & Production Elective
3
Open Slot***
4
Open Slot***
Open Slot***
Total Credits:
10
Total Credits:
13
Credits Required (124)
Total: 124
Courses Required (36)
Total: 37
The sample program is a suggestion based on the path of current and previous students. Students will meet with their student advisors to formulate a plan that works for them
*Students may have the choice to opt out of Composition I if they feel comfortable with the subject matter
** The EP1 (Eloquentia Perfecta 1) Attribute can be obtained through many courses. Please consult with your student advisor
***Students may have availability in their schedules to take extra classes outside of the graduation requirements
-
First Year- Fall
First Year- Spring
Course Name
Credits
Course Name
Credits
THEA 2080: Collaboration I
4
THEA 2090: Collaboration II
4
3
3
THEO 1000: Faith/Critical Reason (EP1**)
3
3
THEA 2260: Conceptual Foundations
4
THEA 3920: History of Theatre Design (Global Studies)
4
THEA 1160: Design Fundamentals
4
THEA 2035: Drafting for the Theatre
4
Total Credits:
18
Total Credits:
18
Second Year- Fall
Second Year- Spring
Course Name
Credits
Course Name
Credits
3
3
3
3
THEA 3011: Text Analysis
4
THEA 3420: Sound Design I
3
THEA 2045: Introduction to Directing
4
3
3
3
Total Credits:
17
Total Credits:
15
Third Year- Fall
Third Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4505: Design Production Workshop
3
3
3
THEA 3005: Global Theatre History– Evolutions of the Present (EP3)
4
3
THEA 3425: Sound Design II
3
4
4
3
3
Total Credits:
16
Total Credits:
17
Fourth Year- Fall
Fourth Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4430: Senior Showcase I
2
THEA 4440: Senior Showcase II
2
Theatre Elective
3 or 4
4
4
Design & Production Elective
3
Open Slot***
4
Open Slot***
Open Slot***
Total Credits:
10
Total Credits:
13
Credits Required (124)
Total: 124
Courses Required (36)
Total: 37
The sample program is a suggestion based on the path of current and previous students. Students will meet with their student advisors to formulate a plan that works for them
*Students may have the choice to opt out of Composition I if they feel comfortable with the subject matter
** The EP1 (Eloquentia Perfecta 1) Attribute can be obtained through many courses. Please consult with your student advisor
***Students may have availability in their schedules to take extra classes outside of the graduation requirements
-
First Year- Fall
First Year- Spring
Course Name
Credits
Course Name
Credits
THEA 2080: Collaboration I
4
THEA 2090: Collaboration II
4
3
3
THEO 1000: Faith/Critical Reason (EP1**)
3
3
THEA 2260: Conceptual Foundations
4
THEA 3920: History of Theatre Design (Global Studies)
4
THEA 1160: Design Fundamentals
4
VART 1055: Figure Drawing
4
Total Credits:
18
Total Credits:
18
Second Year- Fall
Second Year- Spring
Course Name
Credits
Course Name
Credits
3
3
3
3
THEA 3011: Text Analysis
4
THEA 2230: Costume Design I
3
THEA 2045: Introduction to Directing
4
3
3
3
Total Credits:
17
Total Credits:
15
Third Year- Fall
Third Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4505: Design Production Workshop
3
3
3
THEA 3005: Global Theatre History– Evolutions of the Present (EP3)
4
3
THEA 2235: Costume Design II
3
4
4
3
3
Total Credits:
16
Total Credits:
17
Fourth Year- Fall
Fourth Year- Spring
Course Name
Credits
Course Name
Credits
THEA 4430: Senior Showcase I
2
THEA 4440: Senior Showcase II
2
Theatre Elective
3 or 4
4
4
Design & Production Elective
3
Open Slot***
4
Open Slot***
Open Slot***
Total Credits:
10
Total Credits:
13
Credits Required (124)
Total: 124
Courses Required (36)
Total: 37
The sample program is a suggestion based on the path of current and previous students. Students will meet with their student advisors to formulate a plan that works for them
*Students may have the choice to opt out of Composition I if they feel comfortable with the subject matter
** The EP1 (Eloquentia Perfecta 1) Attribute can be obtained through many courses. Please consult with your student advisor
***Students may have availability in their schedules to take extra classes outside of the graduation requirements
-
THEA 2080: Collaboration I
THEA 2090: Collaboration II
THEA 3011: Text Analysis
THEA 3920: History of Theater Design
THEA 1160: Design Fundamentals
THEA 2260: Conceptual Foundations of Theater Design
One of the two following courses:
THEA 3004: Global Theater History - Foundational Impulses
THEA 3005: Global Theater History - Evolutions of the Present
One of the two following courses:
THEA 2035: Drafting for the Theater I - (required for designers & stage managers)
VART 1150: Drawing I - (required for costume designers)
One of the two following courses:
THEA 2045: Introduction to Directing - (suggested for designers)
THEA 3205: Page to Stage - (suggested for stage managers)
One of the two following courses:
THEA 4511: Design Production Workshop - (required for designers)
THEA 2900: Theater Management - (required for stage managers)
Design and Production Upper Level Courses (Any 3 Required):
THEA 2037: Drafting for the Theater II
THEA 3950: Production Management
VART 1055: Figure Drawing I
THEA 2230: Costume Design I
THEA 2235: Costume Design II
THEA 2805: Stage Management I
THEA 2815: Stage Management II
THEA 2900: Theater Management
THEA 3362: Lighting Design I
THEA 3374: Lighting Design II
THEA 3420: Sound Design I
THEA 3425: Sound Design II
THEA 3455: Projection Design I
THEA 3460: Projection Design II
THEA 3985: Set Design I
THEA 3987: Set Design II
THEA 4430: Senior Showcase I
THEA 4440: Senior Showcase II
THEA 3012: New Play Dramaturgy
THEA 3090: Stage Combat
THEA 3520: Producing Through a Social Justice Lens
(All design courses include a weekly “Laboratory” developed to build on discipline-specific skills and facilitate weekly assignments.)
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SCENE DESIGN
Mimi Lien:
2022 Fordham University Denzel Washington Chair. 2015 MacArthur Fellowship. 2015 Tony Award: Natasha, Pierre & the Great Comet of 1812. Much of Lien's teaching is centered on architecture. Lien has designed over 100 shows, operas, and installations. Educator: NYU.
David Zinn:
Costume and Set Designer nominated seven times of the Tony Award, earning two: The Humans, SpongeBob Squarepants. Off-Broadway, opera and regional theater: over 100
Marsha Ginsberg:
Interdisciplinary artist, scenic designer for theater and opera, installation artist, and photographer. Many International productions in New York, Potsdam, Prague, Athens, Berlin, Munich, and Spoleto. Educator: Parsons, Masterstudiengang Buehnenbild TU Berlin, Swarthmore, Wesleyan, Dartmouth, UCLA
Donyale Werle:
Tony Awards: Peter and the Starcatcher, Bloody Bloody Andrew Jackson. As Co-chair of the Broadway Green Alliance, Werle’s designs focus on sustainability.
Christine Jones:
Olivier and Tony Awards: Harry Potter and the Cursed Child, American idiot. Obie for Sustained excellence. Educator: NYU, Princeton. 2015 Fordham University Denzel Washington Chair. Artistic Director for the critically acclaimed Theater for One. Director: Immersive experience, Queen of the Night, Drama Desk Award for Unique Theatrical Experience.
Ann Beyersdorfer:
Art Director: Saturday Night Live. Off-Broadway Set Design: over 30 productions. Broadway Associate: Alexander Dodge, Bunny Christie, David Gallo
Diggle:
Broadway Associate: Clint Ramos, Rachel Hauck, Dede Ayite, David Korins. Over 40 off-Broadway and Regional Productions.
Britany Vasta:
Over 50 off-Broadway and regional productions. Lucille Lortel and Drama Desk Nominations.
COSTUME DESIGN
Dede Ayite:
Broadway: A Soldier’s Play, Slave Play, American Son, & Children of a Lesser God. Awards include an Obie, Lucille Lortel, Helen Hayes, Theater Bay Area, Jeff Award, along with four Drama Desk Award Nominations. Educator: Harvard University.
Clint Ramos:
Filipino-American social activist, scenic and costume designer; the first person of color to win the Tony Award for Costume Design, Eclipsed, as well as eight additional award nominations for work in New York. Over 100 International, Broadway, off-Broadway and regional credits. Educator: SUNY Purchase, NYU & Fordham University.
Hochi Asiatico:
Broadway and allied industry costume painter for dozens of productions including Broadway’s Matilda, The Color Purple, West Side Story and Beauty and the Beast.
Sarah Laux:
Broadway costume design: The Band’s Visit, Fully Committed, The Humans, plus dozens of film, television, off-Broadway and music credits
Brenda Abbandandolo:
Artist and costume designer for stage and film working with directors: Rachel Chavkin, James Franco, Katie Holmes and Mark Wing-Davey and designers, William Ivey Long and Ann Roth.
Oana Botez:
Theater, opera, film & dance costume designer with over 100 credits. Collaborators include: Andrei Serban, Les Waters, Mikhail Baryshnikov, Marina Abromovich, Richard Foreman, Robert Woodruff & Lillian Blain-Cruz.
Gregg Barnes:
Broadway costume designer: Tony Awards for The Drowsy Chaperone & Legally Blond.
Valerie Bart:
Proud self-proclaimed “Franco-VietAmericaine” costume designer for over 30 theater, opera, film & television productions.
Olivera Gajic:
Serbian-born and raised costume designer for dozens of film & theater productions.
LIGHTING DESIGN
Cha See:
Lighting design for theater, environmental performance and on-site installations. 2021 International Theater Makers Award. 2019 Prague Quadrenial. Over 75 off-Broadway and regional credits.
Alan C. Edwards:
Over 125 Lighting Designs for off-Broadway and regional productions earning a 2018 Lucille Lortel Award for Harry Clarke.
Ji-youn Chang:
Best Lighting Design for a Play Tony Nomination: Slave Play. Lighting design for over 200 off-Broadway and regional productions.
Jen Schriever:
Obie Award for Sustained Excellence in Lighting Design. Broadway: Death of a Salesman, 1776, A Strange Loop (Tony nom.), Lackawanna Blues, What the Constitution Means to Me, Eclipsed and many more.
Matthew Richards:
Over 100 Broadway, off-Broadway, regional theater and opera productions.
Yi Zhao:
Berlin-based lighting designer of US and International productions of theater, opera, dance and music events. Broadway: The Skin of Our Teeth. 2019 Henry Hewes Design Award.
Scott Bolman:
Lighting designer and educator working in a diverse array of performance including theater dance, music and opera including productions in Berlin, Athens, Amsterdam and Dusseldorf. Robert Wilson is a frequent collaborator.
SOUND DESIGN & MUSIC DIRECTION
Fan Zhang:
New York based sound designer and composer for film, commercial radio and installations and extensive theatrical productions off-Broadway, Regional and Universities including Yale, Columbia, Princeton and Barnard. Recipient; New York Innovative Theater Award.
Daniel Baker:
Extensive sound design and original music compositions off-Broadway and Regional. Contributor to the music production group Broken Chord Collective. Sound design and composition: Broadway, off-Broadway and Regional. Drama Desk Award, The Open House, Lucille Lortell Award, Here Lies Love.
David Van Teighem:
Composer, percussionist and sound designer for Broadway, off-Broadway. Drama Desk Award and Obie. Notable collaborators include Laurie Anderson, Brian Eno, Steve Reich, John Cale, Nona Hendrix, Deborah Harry and Chris Stein of Blondie and David Byrne.
Fabian Obispo:
Prolific composer and sound designer off-Broadway and Regional. Henry Hewes Award, Barrymore Award, Helen Hayes Award.
Sam Kusnetz:
Off-Broadway and Regional sound designer, composer, projection designer, production manager, photographer and teacher.
Paul Pinto:
Composer, writer and multi-disciplinary performer who founded the music collectives thingNY, Varispeed and LoveLoveLove.
PROJECTION DESIGN
Shawn Duan:
Projections/Media Designer for theater, (Broadway, off-Broadway and Regional), opera, concert, tours, and film.
Lucy McKinnon:
Projection Designer: Broadway, off-Broadway and Regional. 2019 Ovation Award. Exhibitions and Installations include Say Their Names, a memorial to Black lives lost to police violence that covered the face of New York’s Public Theater.
Aaron Rhyne:
Projection Designs have been seen on stages around the world in over 100 productions of musicals, plays, operas and dance. Drama Desk, Henry Hewes & Outer Critics Circle Awards for Anastasia.
Catie Hevner:
Theatrical designer for Broadway, off-Broadway, across the United States and internationally.
Dan Scully:
Brooklyn-based projection and lighting designer exploring the intersection of visual art, technology and storytelling. Over 100 designs on Broadway, off-Broadway and regional.
STAGE MANAGEMENT
Norman A. Small:
Broadway, off-Broadway and regional stage manager of dozens of productions. Blackwell Scholarship Award winner.
Khady Kamara:
Executive Director, Second Stage Theater. Previously, Managing Director, Arena Stage, Washington DC.
Bethany Stewert:
Production Management for Broadway, non-profit theater, and International festivals. Collaborations include, Manhattan Theater Club, Williamstown Theater Festival, Atlantic Theater, Second Stage.
Melanie Lisby:
Stage Manager for Broadway: Grand Horizons and On the Twentieth Century, as well as many off-Broadway and regional productions.
Justin Scribner:
Author, poet, playwright, producer, stage manager, teacher and self-care advocate with many Broadway, off-Broadway, and concert credits.
Charles M. Turner III:
Broadway: Death of a Salesman, the Skin of Our Teeth plus many off-Broadway and regional
Ana Garcia:
25 years of experience as a Stage Manager in the theatrical entertainment industry on Broadway and beyond.
Lisa Iacucci:
Stage Manager for Many Broadway productions including the musicals Hedwig and the Angry Inch, On a Clear Day You Can See Forever, Head over Heels and Funny Girl.
Andrea “Spook” Testani:
Stage Manager for many Broadway productions including Frankie and Johnny at the Claire de Lune, Design For Living, The Man Who Came to DinnerAll My Sons, I Am My Own Wife, The 25th Annual Putnam County Spelling Bee.
David Sugarman:
Over 20 years as Stage Manager for productions including Broadway’s 1776, Little Me, Jane Eyre, The Elephant Man, Dance of Death, Journey’s End, Pygmalion, South Pacific, Merchant of Venice.
Robyn Henry:
After an extensive career as Stage Manager on and off Broadway, Robyn is currently the Executive Producer for the international event planning company, production glue.
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2022:
Charlie Ko:
Broadway Assistant Costume Designer: KPOP. Off-Broadway Costume Design
Assistant: Clint Ramos, Angela Fludd.
2021:
Max Breitt:
Coordinator, Business and Legal Affairs: SONY Music
Shanna Harris:
Broadway Assistant Production Manager: Tina, A Strange Loop, Waitress,
Harry Potter and the Cursed Child. Off Broadway PSM: The Public.
Emma McSharry:
Broadway Production Assistant/Management: Come From Away, Moulin
Rouge, Diana. Off Broadway Associate Line Producer: The Public Theater.
2020:
Vittoria Orlando:
Off Broadway Lighting Design: ART/NY, Ars Nova A.N.T. Fest, Repertorio Espanol. Lighting Design Associate: Barbara Samuels, Jeanette Oi-Suk Yew, Carolina Ortiz Hererra.
2018:
Bonnie McHeffey:
Company Manager: Pasadena Playhouse.
2017:
Kendall Allen:
Associate Production Manager: Public Theater.
2016:
Kaleigh Bernier:
Broadway ASM, The Notebook, Mrs. Doubfire, Be More Chill. Off Broadway, Lincoln Center, Irish Rep., Atlantic Theater.
2015:
Jessie Bonaventure:
Broadway Set Design Assistant: How Learned to Drive, What the
Constitution Means to Me, Latin History for Morons. Off Broadway Assistant Set Design:
MCC, Public Theater. Regional Assistant Set Design: Goodman Theater, Berkeley Rep.
Zoe Allen:
Costume Designer, Costume assistant to Paloma Young who is a Tony Award winning costume designer. NYC
Jessica Troy:
Alchemation Producing Group. (Book of Mormon, Motown The Musical and In the Heights.)
Hillary Manning:
The Game Place, NYC
Alex Denevers:
Freelance lighting designer and electrician, NYC
2014
Dan Geggatt:
Freelance set designer and assistant, NYC
Sara Donovan:
Intern at Julliard, Hair and Makeup focus, NYC
2013
Emily Tabuchuk:
Resident Stage Manager at Child’s Play a children’s theatre program in Brooklyn, NY.
Rebecca Zoltowski:
Stage Manager for Duck Commander Musical, Crown Theatre Las Vegas, NV. Assistant Stage Manager, Michael Jackson, One. Cirque de Soliel, Las Vegas, NV.
Ellen Goldberg:
Production Assistant for Dames at Sea (Helen Hayes Theatre), Production Assistant for Gigi (Neil Simon Theatre) NYC. Assistant Stage Manager for A Month in the Country (Classic Stage Company), NYC.
Jen Delac
Production Stage Manager for Livin’ La Vida Imelda and Soldier X for Theatre Mayi, NYC. Assistant Stage Manager for The Wong Kids in the Secret of the Space Chupacabra, Go! at La Mama, NYC, Children’s Theatre Minneapolis, and ArtsEmerson, Boston.
Shane Moan:
Junior Project Manager and Lighting Designer at Orsman Design, Inc. Southampton, NY
Aidan Zev Meyer:
Sound Designer for Anon and UnEquilibruim (Subterra Festival), Here DOT, NYC
Nora McNally:
Assistant Production Manager at the Atlantic Theatre Company, NYC
Meg Lang:
Assistant Special Effects Design on The Last Ship at the Neil Simon Theatre, NYC. Freelance lighting designer and electrician around New York City.
Emma Bonoli:
Senior Program Administrator, Center for International Partnerships, Institute of International Education, NYC
2012
Emily Auciello:
Co-sound Designer for Final Analysis at Signature Theatre, NYC. Sound intern for Heidi Chronicles, The Music Box, NYC. Assistant Sound Designer for When We were Young and Afraid, New York City Center Stage 1. NYC.
Isabelle Simone:
Costume Assistant on Motown the Musical, Bullets over Broadway, On the 20th Century, On Your Feet and Shuffle Along. NYC.
2011
Gifford Williams:
MFA candidate, Boston University, Lighting design. Expected graduation, 2018
Lindsay Alexander:
Drama Division Assistant – Julliard School
2010
Chris Barlow:
Sound Designer – Hand to God (EST), Trevor (Lesser America)
Nina Bova:
MFA candidate, Carnegie Mellon University in Costume Design. Expected graduation, 2016.
Tara DeVincenzo:
Sales/Design Assistant for Fifth & Park Clothing.
2009
Erich Bussing:
Building Operations Manager – Jujamcyn Theatres, NYC
Leyla Pearl:
Costume Crafts Artisan – Cirque Dreams Productions, Florida
Katie Schneller:
Two Tomatoes Records, NYC. Tour Manager for The Laurie Berker Band, Nationwide. Owner, Painted Fabrix, NYC.
Kate Melvin:
Freelance Graphic Designer, NYC.
