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Internet Modern History Sourcebook

British Imperialistic Anthems

Rule Britannia, Land of Hope and Glory, and more


Although many of these songs are quite long, in most case only parts are sung. Those parts are highlighted.


Rule Britannia

*YouTube: Rule Britannia at The Proms 2009. [YouTube links can go bad easily. If this happens just search for the item on YouTube]

When Britain first, at heaven’s command,
Arose from out the azure main,
Arose, arose, arose from out the azure main.
This was the charter, the charter of the land,
And guardian angels sang the strain.

Rule Britannia!
Britannia rule the waves.
Britons never, never, never shall be slaves.

The nations not so blest as thee,
Must in their turn to tyrants fall,
Must in their turn, must in their turn,
To tyrants fall,
While thou shall flourish,
Shall flourish great and free,
The dread and envy of them all.

Chorus.

Still more majestic shalt thou rise,
More dreadful from each foreign stroke.
More dreadful, more dreadful
From each foreign stroke.
As the loud blast that tears the skies,
Serves but to root thy native oak.

Chorus.

Thee haughty tyrants ne’er shall tame,
All their attempts to bend thee down,
All their attempts, all their attempts
To bend thee down,
Will but arouse thy generous flame.
But work their woe and thy renown.

Chorus.

To thee belongs the rural reign,
Thy cities shall with commerce shine,
Thy cities shall, thy cities shall
With commerce shine.
All thine shall be the subject main,
And every shore it circles thine.

Chorus.

The muses still, with freedom found,
Shall to thy happy coast repair,
Shall to thy happy coast,
Thy happy coasts repair,
Best isle of beauty,
With matchless beauty crowned,
And manly hearts to guard the fair.

Chorus.


Land of Hope and Glory

*YouTube: Land of Hope and Glory at The Proms 2014. [YouTube links can go bad easily. If this happens just search for the item on YouTube]
* YouTube: Land of Hope and Glory by Vera Lynn in 1962 [YouTube links can go bad easily. If this happens just search for the item on YouTube]

The music is Sir Edward Elgar's Pomp and Circumstance March No. 1 of 1902. During World War I, it was used as the theme for part of a poem by A. C. Benson (1862-1925) [the homosexaul Catholic convert son of the Archbishop of Canterbury, if memory serves right], by the music hall star Marie Lloyd. It was immediately adopted as perhaps the second most sung national song after God Save the King. Perhaps the reason was that it can be sung with much more gusto.

Dear Land of Hope, thy hope is crowned.
God make thee mightier yet!
On Sov'ran brows, beloved, renowned,
Once more thy crown is set.
Thine equal laws, by Freedom gained,
Have ruled thee well and long;
By Freedom gained, by Truth maintained,
Thine Empire shall be strong.

Land of Hope and Glory,
Mother of the Free,
How shall we extol thee,
Who are born of thee?
Wider still and wider
Shall thy bounds be set;
God, who made thee mighty,
Make thee mightier yet.

Thy fame is ancient as the days,
As Ocean large and wide:
A pride that dares, and heeds not praise,
A stern and silent pride:
Not that false joy that dreams content
With what our sires have won;
The blood a hero sire hath spent
Still nerves a hero son.


God Save the Queen (or King)

*YouTube: God Save the Queen at The Proms 2011, arrangement Benjamin Brittain. [YouTube links can go bad easily. If this happens just search for the item on YouTube]
*YouTube: God Save the King 2022, more usual arrangement. [YouTube links can go bad easily. If this happens just search for the item on YouTube]

God save our gracious Queen!
Long live our noble Queen!
God save the Queen!
Send her victorious,
Happy and glorious,
Long to reign over us.
God save the Queen!

O Lord our God arise.
Scatter her enemies,
And make them fall.
Confound their politics,
Frustrate their knavish tricks.
On thee our hopes we fix.
God save us all!

The choicest gifts in store.
On her be pleased to pour,
Long may she reign!
May she defend our laws,
And ever give us cause,
To sing with heart and voice,
God save the Queen!


The British Grenadiers

*YouTube :The British Grenadiers Cornell Glee Club [YouTube links can go bad easily. If this happens just search for the item on YouTube]

Some talk of Alexander, and some of Hercules,
Of Hector and Lysander, and such great names as these,
But of all the world’s great heroes,
There’s none that can compare,
With a tow, row row row , row row row,
To the British Grenadiers.

None of these ancient heroes ne’er saw a cannon ball,
Nor knew the force of powder to slay their foes with all,
But our brave boys do know it and banish all their fears,
Sing tow, row row row , row row row,
For the British Grenadiers.

When e’er we are commanded to storm the palisades,
Our leaders march with fuses, and we with hand grenades;
We throw them from the glacis about the enemies’ ears,
Sing tow, row row row , row row row,
For the British Grenadiers.

And when the siege is over, we to the town repair.
The townsmen cry ‘Hurrah, boys, here comes a Grenadier’.
Here come the Grenadiers, my boys, who know no doubts or fears.
Sing tow, row row row , row row row,
For the British Grenadiers.

So let us fill a bumper, and drink a health to those,
Who carry caps and pouches, and wear the louped clouthes.
May they and their commanders live happy all their years.
Sing tow, row row row , row row row,
For the British Grenadiers.


Jerusalem

The melody from 1916 is by Charles Hubert Hastings Parry, (1848-1918) and was used for an old poem by William Blake 1757-1827. The entire hymn is always sung. It was especially associated with the Women's Institute and Labour Party conferences.

*YouTube: Jerusalem at the Proms 2018 [YouTube links can go bad easily. If this happens just search for the item on YouTube]
*YouTube: Jerusalem by Blake [YouTube links can go bad easily. If this happens just search for the item on YouTube]*

And did those feet in ancient time
Walk upon England's mountains green?
And was the Holy Lamb of God
On England's pleasant pastures seen?
And did the countenance divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark satanic mills.

Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O Clouds unfold!
Bring me my chariot of fire!
I will not cease from mental fight
Nor shall my sword sleep in my hand
Till we have built Jerusalem
In England's green and pleasant land!


I Vow to Thee, My Country

The lyrics were written January 12, 1918 by Cecil Spring-Rice (1859-1918). The music from Gustav Holst (1874-1934) Planets suite (the hymn from Jupiter). In its hymn form it is known as Thaxted. The hymn was first performed in September 1918. Famous as Diana, Princess of Wales' favorite hymn, it was sung at her wedding and funeral. It had long been a staple of British school assemblies.

*YouTube: I Vow to Thee My Country by Ramin Karimloo 2020 [YouTube links can go bad easily. If this happens just search for the item on YouTube]
*YouTube: I Vow to Thee My Country at funeral of Diana, Princess of Wales [YouTube links can go bad easily. If this happens just search for the item on YouTube]

I VOW to thee, my country, all earthly things above,
entire and whole and perfect, the service of my love:
the love that asks no question, the love that stands the test,
that lays upon the altar the dearest and the best;
the love that never falters, the love that pays the price,
the love that makes undaunted the final sacrifice.

And there’s another country, I’ve heard of long ago,
most dear to them that love her, most great to them that know;
we may not count her armies, we may not see her King;
her fortress is a faithful heart, her pride is suffering;
and soul by soul and silently her shining bounds increase,
and her ways are ways of gentleness and all her paths are peace.

 


Source:


This text is part of the Internet Modern History Sourcebook. The Sourcebook is a collection of public domain and copy-permitted texts for introductory level classes in modern European and World history.

Unless otherwise indicated the specific electronic form of the document is copyright. Permission is granted for electronic copying, distribution in print form for educational purposes and personal use. If you do reduplicate the document, indicate the source. No permission is granted for commercial use of the Sourcebook.

© Paul Halsall, July 1998



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