NYC Guides

Harlem rooftops

Shaking off the Stigma of Urban Decay: Harlem’s 21st Century Renaissance

by Michael Adams

Since the 1920’s New York City’s Harlem community – a few blocks north of Central Park, has served as a residential, cultural and business hub for countless African Americans. Originally a Dutch village formally organized in 1658, it is named after the city of Haarlem in the Netherlands; and to a considerable extent Harlem is not only a community etched with African American vastness, but a place of cultural identity as well.

The community has produced jazz greats, political giants and sports heroes; and is notably home to literary giants such as Langston Hughes and Countee Cullen, music impresarios Duke Ellington and Billie Holiday and social change agents, Malcolm X and Marcus Garvey.

Harlem is well known for soul-stirring gospel choirs, nourishing southern-style food, throng of street vendors and African markets. Throughout the years, the neighborhood has managed to reinvent itself with a new crop of enterprising and revolutionary leadership, reasonably priced housing accommodations and innovative and tempting tourists fascinations.

The community’s rich history and modern-day leanings have both been defined by a series of economic boom-and-bust cycles, but has managed to largely shaken off the stigma of urban decay. And although Harlem has existed as one of the most celebrated names in black American culture, the trend lines of diversity, identity and cultural expression have been moving for decades.


Paley Park

NYC Public Spaces Tour

by James Antle

Paley Park is considered one of the “finest urban spaces in the U.S.” by the Project for Public Spaces organization, which is founded on the ideas of sociologist and urbanist William H. Whyte. It is called a “pocket park,” or otherwise a “vest-pocket park,” “parkette,” or “vesty.” The naming conventions reveal that these are beloved spaces, as Paley Park is in particular. The park was given to the public, as a plaque reads, by CBS President William S. Paley and named for his father Samuel. The landowners received no zoning bonuses, nor were they required by law to create a public space. It is simply a gift.


Bushwick graffiti

The Arts in a Gentrifying Bushwick

by Laura Maloney

Brooklyn is the most populated borough in New York City with over 2 million residents as of 2014. Over the past several decades, the process of gentrification has been occurring significantly within the borough. With this process comes many economic and demographic changes for residents, and arguably at the forefront of these changes are an influx of artists and other creative types into the area. Historically, it is often artists who are the first to move into an area otherwise deemed undesirable which gives rise to the gentrification process. In Bushwick, Brooklyn, the presence of artists in the neighborhood has made a significant impact, attracting attention from people far and wide. Specifically, new art galleries, performance spaces and street art have contributed to a growing community of the arts in a neighborhood that was previously without it on such a scale. Regardless of the positive and negative attributes of gentrification on a neighborhood, the community of artists is growing rapidly in Bushwick.


Occupy Wall Street Zuccotti Park

Places of Protesting in the Big Apple

by Matiss Steinerts

Urban unrest is on the edge between celebrated civic activity and feared revolution. In the whole spectrum of different protests we still can follow that some places in the city are used more for them and some are used less. What are the reasons for some places to be more used in urban demonstrations and for other places less? In some cases they are physical qualities of these places – configuration, size, existence of podiums and stages, acoustics. Parks, plazas, squares and large promenades have been used for demonstrations of many sort. For every demonstration it is always essential that voices of it have been heard. Thus proximity to the government buildings, corporations or other institution in focus of the protest is important aspect. Mass media is helpful to deliver the message, but sometimes, like during Occupy Wall Street movement mass media did not give the support it would do for other activities of its scale. Thus direct contact of the revolution happening in the heart of the Financial District was essential. Other times the regulations existing in the place are important to organize the event. They include rights to express the opinion, rights to use sound amplification devices, rights to gather in groups, openness of the place over night etc. Culture of using space for expression of different emotions might be cultural. It can be forbidden to use open fire, but during grief or religious ceremonies candle lights floods the streets. Traditionally protesting grounds often attract people to maintain the practice alive. In this piece I will address several urban spaces that host protests in diverse levels of participation and representation. I will look at formal protest ground in Union square and its history and spatial qualities that help maintain the tradition. I will look at the qualities of Zuccotti Park in Financial District and question its usage for Occupy Wall Street campaign. And finally last but not least I will look at informal street memorials in the Bronx as protests of oppressed groups.


poster: "Death to the LL Train"

Housing the Un-Rich

by Adam Stoler

There seem to be few equally hotly contested issues concerning the New York City metropolitan area besides that of housing the renting working and middle classes affordably. This is especially the case within the five boroughs of the city, and of even more significance to longterm Manhattan and Brooklyn residents of gentrifying neighborhoods. Allied with this concern are other issues that dovetail with it: good public schools, accessible, affordable and adequate mass transit, and location of services, like food shopping, that residents can viably partake in.

I plan to focus on a highly visible, yet ironically low key housing development called Stuyvesant Town and Peter Cooper Village, geographically located above the Lower East Side and below Murray Hill. Architecturally undistinguished, yet hewing to a Le Corbusier style of urban planning, this housing estate stands as an example of mid20 th Century urban housing efforts. What is its’ legacy, and its’ prospects for continuing its’ mission in the 21 st Century?