Jennifer S. Clark
Contact
[email protected]
646-312-8254
Location
Martino Hall, Room 712
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PhD Critical Studies, Cinema - Television, University of Southern California
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Prof. Clark is interested in television production cultures, television history, gender studies, female stardom and celebrity, and representations of masculinity and emotion.
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“From Stripping on Broadway to Knitting on TV: Gypsy RoseLee’s Adaptable Labors” Feminist MediaHistories (forthcoming October 2016).
“What Happens When WeWatch What Happens Live?, or The Aftershow as Critical Mediation In Media Res (April 25, 2016)
http://mediacommons.futureofthebook.org/imr/2016/04/21/what-happens-when-we-watch-what-happens-live-or-aftershow-critical-mediation“Queenfor a Day: Representation, Materiality, and Gender in Elizabeth II’s TelevisedCoronation” Journal of e-Media Studies4.1 (2015).
http://journals.dartmouth.edu/cgi-bin/WebObjects/Journals.woa/1/xmlpage/4/article/449"Post Feminist Masculinity and the Complex Politics of Time:Contemporary Quality Television Imagines a Pre-Feminist World," NewReview of Film and Television Studies, Vol. 12, Issue 4, December2014
“Liberating Bi-Centennial America: Imagining the Nation through TVSuperwomen of the Seventies” in Television & New Media (September2009): 434-454.
“Producing Television,” Spectator, Spring 2008 28:1 (editor)
Writing Lives, Reading Communities, Pearson/McGraw-Hill, 2000(co-edited with Kay Halasek et. al.)
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- Understanding Film
- Understanding Television
- Film Stardom
- Film Theory and Criticism
- Fashion and Costuming in Film
- Fashioning Britain
- British Heritage Cinema
- Film and Gender
- Theories of Media, Culture, and Society
- Film Aesthetics and Economics