"Reclaiming Single Women’s Work: Gender, Melodrama, and the Processes of Adaptation in The Best of Everything" in ed. Katherine Fama and Jorie Lagerway, Single Lives: Modern Women in Literature, Culture, and Film (under contract at Rutgers University Press)
"From Stripping on Broadway to Knitting on TV: Gypsy Rose Lee's Adaptable Labors" Feminist Media Histories (2016) 2 (4): 143–168.
“What Happens When WeWatch What Happens Live?, or The Aftershow as Critical Mediation In Media Res (April 25, 2016)
“Queenfor a Day: Representation, Materiality, and Gender in Elizabeth II’s TelevisedCoronation” Journal of e-Media Studies4.1 (2015).
"Post Feminist Masculinity and the Complex Politics of Time:Contemporary Quality Television Imagines a Pre-Feminist World," NewReview of Film and Television Studies, Vol. 12, Issue 4, December2014
“Liberating Bi-Centennial America: Imagining the Nation through TVSuperwomen of the Seventies” in Television & New Media (September2009): 434-454.
“Producing Television,” Spectator, Spring 2008 28:1 (editor)
Writing Lives, Reading Communities, Pearson/McGraw-Hill, 2000(co-edited with Kay Halasek et. al.)